Lustre Workshop with Greg Daly

4.9 across all classes · 1,331 reviews

Student photos

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Lustre Workshop with Greg Daly

A once-in-a-lifetime masterclass with a master of the medium

Date: Saturday 10 October

Time:10:00am – 4:00pm

Venue: Clay Talk Ceramic Centre, Montsalvat, Eltham

Places: Strictly limited to 12 participants

Style of Workshop: Demonstration; not hands-on

Level: Intermediate to advanced — ideal for the discerning artist wanting in-depth, technical knowledge of glaze chemistry. Not suitable for beginners.

About the Workshop

The workshop will cover a history of lustre, from 9th century beginning in Egypt to contemporary application. The 4 different types of lustre: pigment, lustre glaze, fuming & resinate will be covered. 

Each technique will be demonstrated with images of mixing, application, how to fire, & results.  Both practical and technical, you will go away with an understanding and knowledge how to create a lustred surface on your work.

With numbers capped at just 12 places, this workshop offers a rare level of individual attention and access to an artist of Greg's calibre. For any ceramicist serious about glaze surface and finish, this is a genuinely not-to-be-missed opportunity.

What You'll Learn

  • The history, chemistry and requirements of lustre glazes
  • Key ingredients and formulation — the "trade secrets" behind reliable lustre results
  • Correct application techniques for consistent, luminous surfaces
  • Firing strategies for lustre in gas kilns, and how to troubleshoot common faults

About Greg Daly

Greg Daly is internationally recognised and respected as one of ceramics' great colourists — an artist whose name is synonymous with rich, luminous glaze effects and a lifetime devoted to pushing the technical and aesthetic boundaries of the medium.

His work is held in the collections of 80 national and international galleries and museums, including the National Gallery of Australia and the Victoria & Albert Museum, London, and has been featured in 24 international book publications. He is himself the author of three influential books on glazes, resources that have shaped the practice of ceramic artists around the world.

Greg has held 100 solo exhibitions over the course of his career and has been included in more than 250 national and international group exhibitions, earning 36 national and international awards along the way. His contribution to Australian craft was formally recognised through his tenure as President of Craft Australia from 1992 to 1995, and his research credentials run deep: in 1999 he received an ARC grant to investigate the effect of firing cycles on the development of copper red glazes — research that speaks directly to the rigorous, experimental approach he brings to every surface he creates. As recently as 2019, he was shortlisted for the Sidney Myer Fund Australian Ceramic Award at the Shepparton Art Museum, confirming his place among Australia's most significant living ceramic artists.

To study lustre with Greg Daly is to learn from someone who has not only mastered the technique but helped define how generations of ceramic artists understand glaze itself.

Places are limited to 12 to preserve the quality of individual instruction — early booking is strongly recommended.


Details

You will learn

  • History, materials, technique and process of lustre firing
  • The 4 different types of lustre: pigment, lustre glaze, fuming & resinate will be covered.

You will get

  • Knowledge of materials required for lustre

Appropriate for

Intermediate to advanced or experienced ceramic makers and artists


Preparation

What to bring

  • Camera, note pad, inquisitive mind

What to wear

Casual, covered shows, hat, sunglasses for outside

Planning a Private Event?

From corporate team building to birthdays and hen's parties, Montsalvat Arts Education can tailor a private pottery classes experience for your group.


Your Teacher

Greg is internationally known and respected as a ceramic artist specialising in rich glaze effects. His work is represented in 24 international book publications, in 80 national and international art galleries and museums (including the National Gallery of Australia and the Victoria & Albert Museum, London), and he has won 36 national and international awards and is the author of three books on glazes.

He has now held 100 solo exhibitions and has also been included in over 250 national and international group exhibitions. He was President of Craft Australia from 1992-1995 and in 1999 he received an ARC grant to research the effect of firing cycles in the development of copper red glazes. In 2019 he was shortlisted for the Sidney Myer Fund Australian Ceramic Award at the Shepparton Art Museum.

Organized by

Montsalvat Arts Education

Montsalvat Arts Education

1331 reviews

Nestled within Montsalvat—Australia’s oldest continuously active artists' community—our studios offer a diverse range of creative outlets. Clay Talk is one of several studios, providing ceramics classes in wheel throwing and hand building for all levels, alongside specialised programs led by established artists. 

In addition to ceramics, we also offer classes in drawing, painting, and mosaic, with an expanded repertoire of educational offerings planned for 2025. This dynamic environment supports learners across various disciplines, all within the inspiring setting of Montsalvat, where art is created, taught, exhibited, and experienced.

Pottery is one of the best art activities for stress relief.

New students can start with pinch pot pottery techniques.

Explore more about the raku pottery process.


4.6 (5 reviews)

Photos & Videos

Instructor examining a color palette guide while seated in a pottery studio workshop
Hand holding a woven textile with earthy tones and geometric patterns in yellow, green, brown, and cream
Alyssa
Oct 2026
Greg Daly's workshop was incredible. He was so generous with his knowledge and being able to ask questions and see his tests was invaluable. Thank you for getting him here!
Diane
Oct 2026
Greg has so much experience & knowledge on Lustres so it was a special opportunity to have him talk about his collection & the collections he has visited that have inspired him.
Liz
Oct 2026
Greg was an excellent teacher full of ideas and inspiration. He clearly explained process without being too technical and gave lots of good advice. Very enjoyable workshop with just the right amount of participants.
Instructor examining a color palette guide while seated in a pottery studio workshop
Hand holding a woven textile with earthy tones and geometric patterns in yellow, green, brown, and cream

Terms

Cancellations & Refunds

If the organiser cancels the class:

You are entitled to a transfer or credit note.

If you can't attend the class:

You’re welcome to send someone in your place.

OR

You may cancel anytime before class starts and claim a full refund or transfer or credit note.

We recommend the refund upgrade option upon checkout in case you’re not able to attend the class. Learn more about refund upgrade option.

Terms & Conditions

TERMS & CONDITIONS

Refunds, Credits & Transfers

All bookings are final. Refunds are not provided for change of mind, incorrect selection, scheduling conflicts, inability to attend or failure to attend.

Before Program Commencement

Requests made prior to the scheduled start date may be considered as follows:

  • Transfers to another program or participant may be approved, subject to availability.
  • Where a transfer is not possible, a credit may be issued, valid for a specified period.
  • Refunds are not standard and will only be provided where required under law or approved at the sole discretion of Clay Talk.
  • Any approved refund will incur a 10% administration fee.


After Program Commencement

No refunds, credits, or transfers will be provided once a program has commenced.

Non-Attendance

Failure to attend any scheduled session does not entitle the participant to a refund, credit, or transfer.

Illness or Extenuating Circumstances

Where a participant is unable to attend due to illness or other unforeseen circumstances:

  • Clay Talk may, at its sole discretion, offer a transfer or credit.
  • Refunds will not be provided except where required under law.
  • Any approved refund will incur a 10% administration fee.


Cancellation by Clay Talk

If Clay Talk cancels a program, participants will be offered:

  • A full refund; or
  • A transfer to an alternative program (subject to availability).


Consumer Rights

Nothing in these Terms & Conditions excludes, restricts or modifies any rights or remedies available under the Australian Consumer Law.

 


Gift Vouchers

  • Gift vouchers are available exclusively through:www.claytalk.weteachme.com

  • Minimum value: $20

  • Valid for three (3) years from purchase

  • Redeemable only for Clay Talk programs via the online portal

  • Not redeemable for cash and non-transferable

Gift vouchers are intended to support your creative learning and artistic development.

Firing of Work – Clay Talk Term Classes Only

Many workshops and classes include firing and glazing of a specified number of pieces. Please refer to individual course listings for details.

General Requirements

  • All work must be clearly labelled with the name used for booking.

  • We take great care with all work; however, ceramics involves inherent risks.

  • Clay Talk cannot guarantee successful firing outcomes and accepts no liability for breakage, cracking, or firing faults.

Clay Talk Term Classes – Firing Conditions

For most term classes:

  • Up to 10kg of finished work per student is included in fees

  • Additional firing will incur extra charges

  • All pieces must be labelled with your Maker’s Mark(Initials + Class Code, e.g. John Adam Smith = JAS)

Unmarked work will not be fired.

Damage of pieces in Clay Talk only

  • Damage caused by inappropriate clay bodies or glazes may result in replacement costs for kiln shelves.

  • Significant kiln damage may incur additional repair fees, assessed by the Studio Coordinator.

Fire & Clay Festival – Work & Firings

For Fire & Clay Festival participants:

  • Firing allocations and work limits are outlined in your festival registration pack.

  • All work must be labelled clearly and handled in accordance with staff instructions.

  • Due to the experimental nature of atmospheric and wood firings, outcomes cannot be guaranteed.

Collection of Work

  • Processing, firing, glazing, and packaging typically takes 2–4 weeks after program completion.

  • You will be notified by email when work is ready for collection.

  • Work must be collected within one (1) month of notification.

Uncollected work, materials, or tools may be disposed of or donated to Clay Talk fundraising initiatives after this period.

Contact

For all enquiries relating to bookings, attendance, or policies, please contact:

\U0001F4E7 claytalk@montsalvat.com.au


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