Join us for this informative forum panel followed by Q&A session, to hear about some exciting pathways to reach international audiences for ceramic artists. Hosted by Slow Clay Centre in collaboration with the World Crafts Council Australia and Garland Magazine, we have invited three experienced ceramic artists to discuss their international experiences and to answer your questions.The speakers Penny Byrne, Greg Daly and Dean Smith will present their pathways accompanied by visuals and we will have a full hour for Q&A afterwards with MC Dr Kevin Murray (WoCCA and Garland).
Content: There are many opportunities to present work to international audiences. The Asia Pacific region has a number of significant craft fairs and biennales. How does a craft artist break into these circuits? The World Crafts Council has an Award of Excellence program. Is it worth my while to enter? How do I find out about residencies and exchanges? What value is professionalism and presentation? In a time of putting “Australia First”, what’s the value of looking abroad?
Penny Byrne's sculptural works are politically charged, highly engaging and often disarmingly humorous. Byrne's work presents an ongoing inquiry into popular culture and international politics. In 2015 Byrne exhibited in Glasstress Gotika, a collateral event of the 56th Venice Biennale. She is represented in the UK by Coates and Scarry and in Berlin by Michael Reid Berlin.
Greg Daly is internationally known and respected as a ceramic artist specialising in rich glaze effects and was lecturer in ceramics at ANU Canberra. His work has been included in 24 international book publications and is held in 80 national and international art galleries and museums collections, including those of the National Gallery of Australia and the Victoria & Albert Museum in London. He has also exhibited in over 200 international and national group exhibitions. He is past President of Craft Australia.
Dean Smith works with special effect high fire glazes combined with low fire enamels and precious metal lustres. Smith’s work has featured in important national and international ceramic exhibitions and has won several major awards, including the Silver Prize, Taiwan Ceramics Biennale 2012, Special Citation, 8th Cheongju International Craft Competition, South Korea 2013, winner, Clunes National Ceramic Award, 2013 and winner, Vase Finder International 9th Annual Exhibition, USA 2014.
Dr Kevin Murray, our MC for the event, is secretary of the World Crafts Council - Australia and editor of Garland magazine. He is a writer and curator and has held the position of Artistic Director and CEO of Craft Victoria.
This event is part of the annual Craft Cubed Festival, by Craft Victoria.
Slow Clay Centre is located at 13 Keele Street, Collingwood. Jump off at the Keele Street stop on Tram 86.
Please choose your course carefully as we do not give refunds if you change your mind.
Special Event: Forum: Making International Pathways
- Presentations, Visuals, discussion and Q&A
- Be inspired by three distinguished artists to hear their suggestions for exhibiting internationally
- MC Dr Kevin Murray from World Crafts Council Australia and Garland magazine will chair the event
- Rich discussion and networking
- Suggested pathways for exhibiting internationally
- Inspiration from established practitioners
Ceramics practitioners and students who would like to become informed about international residency opportunities
Vendor sincce 2013
Escape to Slow Clay Centre and learn the art of expression in clay. www.slowclay.com
Slow Clay Centre specialises in ceramics education and offers an extensive variety of ceramics and pottery classes throughout the year. Classes are offered on a weekly basis by the term, intensive weekends and short courses, and a rich variety of one-day guest artist workshops and forums. Catering for mostly adults, from beginners to the more skilled, we also have some kid's classes so everyone can learn the art of working with clay. Our enrolled students have priority to re-enrol each term and take advantage of our generous loyalty program providing free studio access (conditions apply). In this way we can help you to develop your skills to a high level.
Our unique "Slow Clay" method for teaching the pottery wheel, established by Slow Clay Centre director and ceramic artist Jane Sawyer, has been taught for more than twenty years. Based on the Japanese techniques Jane studied as an apprentice in Japan, in combination with western techniques, the "Slow Clay" method offers a synthesis of East and West. It provides ergonomic best-practice and a solid foundation for personal expression and confidence with clay. All our courses offer skill-based learning within a rich framework of art and design enquiry.
Based in a beautiful inner-city studio in Collingwood, Melbourne, Australia, the Slow Clay team consists of leading professional ceramic artists and experienced teachers who offer high-level teaching in a broad variety of topics - see our web site for teacher profiles. Together with other invited professionals for guest artist workshops and forums, we are a vibrant community of enthusiasts.
No matter what level you are, we welcome you to Slow Clay Centre where you can follow your personal pathway with clay!
Please choose your classes carefully. Due to our limited class sizes once you've booked and paid either the deposit or the full fee we will only refund what you have paid if the class is cancelled by us. If you are unable to attend you may share the love and transfer your booking to a friend for no charge or, provided we can fill your place, you can hold your payment for up to 12 months for a future course.
Please note: when paying by deposit online the balance is automatically deducted from the same credit card three weeks before the course start date through our booking agency We Teach Me.
These apply to all Slow Clay Centre classes.
- Deposit or full payment (depending on the course) must be made at time of booking.
- Please choose your classes carefully. Due to our limited class sizes once you've booked and paid either the deposit or the full fee we will only refund what you have paid if the class is cancelled by us. If you are unable to attend you may transfer your booking to a friend for no charge or, provided we can fill your place, you can hold your payment for up to 12 months for a future course. Please note: when paying by deposit online the balance is automatically deducted from the same credit card three weeks before the course start date through our booking agency We Teach Me.
- Please note that making ceramics on the wheel can be a physically demanding activity and it is usual to feel a little stiff ititially. However, if you have any pre-existing or chronic injuries to your back, shoulders, hips, neck, wrists or elbows you are strongly advised to seek a medical opinion before enrolling as some activities might exacerbate past injuries and we take no responsibility if this occurs. We ask you to fully disclose any prior and/or ongoing injuries that could affect you and your enrolment is acceptance that Slow Clay Centre and/or employees, whether casual, contract, or permanently employed, are not responsible for any exacerbation of past or new injuries.
- All work made during classes is to be used for personal, non-commercial purposes. This is negotiable for advanced students or for studio exhibitions but we ask students to accept that the emphasis of classes is strictly on education rather than on production.
- Teaching fees are fully inclusive of materials but students incur a firing fee based on a current cost of $8.50 per kg weight after gloss firing.
- Collection of fired pieces: Please understand that a large volume of work is produced by students at Slow Clay Centre and that storage is very limited. Therefore students will be notified via email when work is ready to be collected. Work will only be retained for one month following this notification unless other arrangements are made.
These additional conditions apply to all Slow Clay Centre weekly classes.
- Wheel classes: Students are allocated a board and shelf for storage and must contain their work to that space for wet work in progress.
- If needed, you may transfer to a different class time within the same term for no fee - provided there is a place available.
- One missed lesson per term can be made up in any Studio Access Time (SAT) within the term you have booked.
- Studio Access Times (SATs) are available to enrolled weekly students during term times, except those attending Porcelain classes. We offer Monday and Tuesday 12 - 3pm, and Friday and Saturdays 10am-1pm. Cost: $30 for up to three hours, unlimited clay. We reserve the right to cancel any sessions, without notice, that may conflict with other events, although we always try to post on our Facebook page 24 hours prior. Please check www.facebook/slowclay to avoid disappointment.
- Loyalty offer: Continuing students receive two SAT sessions per term FREE (worth $60 plus clay). Only available for enrolled students continuing from one term to another without a break and must be used within the term they are enrolled.
Regarding kids Clay Club:
These apply to all Slow Clay Centre kids Clay Club classes.
- It is your responsibility to clearly report in writing on the enrolment form, any illness or disability that may affect your child's involvement in the Clay Club activities.
- Please sign your children into each class and sign again on pick up.
- Please respect our teachers and be prompt to arrive and collect your children. Do not arrive more than 5 minutes early to class or leave your children more than 5 minutes later than the class end.
- Children are expected to be mature enough to work in a group together respecting everyone's needs and to be polite.