Join us for this informative forum panel, followed by Q&A session, to hear about some exciting opportunities for International Residencies for ceramic artists. Hosted by Slow Clay Centre, we have invited a range of ceramic artists to discuss their international experiences (accompanied by visuals) and to answer your questions and thrash out the hot issues! The speakers will present for a maximum 15 minutes each and we will have a full hour for Q & A afterwards!
About the artists:
Carol Gentithes and Fred Johnston met at Alfred University, New York, USA, graduating with BFA degrees from the School of Ceramics. Fred pursued an MFA in ceramics from Penn State. From there, both Carol & Fred became Artists In Residence for one year at the Arrowmont School of Arts & Crafts in Gatlinburg,TN. After this residency they moved to Seagrove, NC where there is an established community of 80+ working potters. They opened a studio & gallery in 1997. Both have done residencies in Tallinn, Estonia and Jingdezhen, China. Their work is exhibited nationally & internationally and is in permanent collections of several museums. They will discuss their residencies in the USA, focussing on Arromont School of Art, Penland, The Archie Bray Centre and StarWorks.
Amy Kennedy is a ceramic artist based in Melbourne. She is driven by a sense of wonder and curiosity in natural phenomena and endeavors to capture these qualities in her works. Amy graduated with a Bachelor of Arts (Fine Art) Honours from RMIT University in 2006, having previously completed a Diploma of Ceramics at Box Hill Institute of TAFE. Her career highlights include being awarded residencies at Baer Art Center Iceland, Anderson Ranch Arts Centre, Colorado USA, and the European Ceramic Work Centre in The Netherlands. Amy will present on her 2008 three-month residency at the European Ceramic Work Centre in The Netherlands. Now known as Sundaymorning@EKWC, it is an international ceramics centre focused on experimentation and expanding the field of ceramics. Artists are selected from all fields to work on a project in clay, with assistance from a team of specialists. She will also touch on her most recent artist residency at Baer Art Center, Iceland and a 2012 residency at the Anderson Ranch Art Center, Colorado USA.
Liz Williams, from Adelaide, draws on wide-ranging influences from an interest in magic realism and surrealism, inspired after time spent in Spain and Mexico, and a passion for the simplicity of Korean and Japanese ceramics. Craftsmanship and fine attention to detail is evident in her elegantly stylised figures with their highly considered finish and resoundingly handmade qualities.
Williams studied under renowned Australian potter Milton Moon at the South Australian School of Art, before going on to teach ceramics at both the University of South Australia and University of Northern Territory. She has undertaken studio practice at Scripps College, US, and postgraduate studies in ceramics at prestigious Goldsmiths College, London. Williams has exhibited extensively both nationally and internationally, her work is held in a number of public and private collections and she has undertaken residencies in Rome, Barcelona and most recently, in Shigaraki, Japan. She will focus her presentation on Shigaraki.
Robyn Phelan is a ceramic artist based in Melbourne. Her professional background is in visual arts and museum education, curation and management. A ceramics practice has been her most recent pursuit. Critiques on ceramics, craft and art history, a sense of place and formal sculptural issues inform her work. Working from the Elm Place Ceramics Studios, Robyn is also an avid writer and observer of Australian contemporary ceramics, pottery and art. Robyn will elaborate on her residency at the Pottery Workshop, Jingdezhen, China in 2008, her inspiration and influences from the porcelain city and the creative outcomes that continue to be of importance in her work.
Slow Clay Centre is located at 13 Keele Street, Collingwood. Jump off at the Keele Street stop on Tram 86.
Please choose your course carefully as we do not give refunds if you change your mind.
Please note: Carol and Fred will be giving a demonstration of their techniques at ClayLAB on Sunday 5 Feb. Please contact Vipoo Srivilasa (firstname.lastname@example.org) for details and bookings.
Special Event: Forum on AIRs
- Presentation, Visuals, discussion and Q&A
- Be inspired by these distinguished artists to combine your love of clay with other cultures!
- 5 speakers present their experiences at some significant international residency programs
- Rich discussion, networking and a glass of wine too!
- Inside knowledge of some of the major AIRs centres for ceramics in the world
Ceramics practitioners and students who would like to become informed about international residency opportunities
Vendor sincce 2013
Escape to Slow Clay Centre and learn the art of expression in clay. www.slowclay.com
Slow Clay Centre specialises in ceramics education and offers an extensive variety of ceramics and pottery classes throughout the year. Classes are offered on a weekly basis by the term, intensive weekends and short courses, and a rich variety of one-day guest artist workshops and forums. Catering for mostly adults, from beginners to the more skilled, we also have some kid's classes so everyone can learn the art of working with clay. Our enrolled students have priority to re-enrol each term and take advantage of our generous loyalty program providing free studio access (conditions apply). In this way we can help you to develop your skills to a high level.
Our unique "Slow Clay" method for teaching the pottery wheel, established by Slow Clay Centre director and ceramic artist Jane Sawyer, has been taught for more than twenty years. Based on the Japanese techniques Jane studied as an apprentice in Japan, in combination with western techniques, the "Slow Clay" method offers a synthesis of East and West. It provides ergonomic best-practice and a solid foundation for personal expression and confidence with clay. All our courses offer skill-based learning within a rich framework of art and design enquiry.
Based in a beautiful inner-city studio in Collingwood, Melbourne, Australia, the Slow Clay team consists of leading professional ceramic artists and experienced teachers who offer high-level teaching in a broad variety of topics - see our web site for teacher profiles. Together with other invited professionals for guest artist workshops and forums, we are a vibrant community of enthusiasts.
No matter what level you are, we welcome you to Slow Clay Centre where you can follow your personal pathway with clay!
Please choose your classes carefully. Due to our limited class sizes once you've booked and paid either the deposit or the full fee we will only refund what you have paid if the class is cancelled by us. If you are unable to attend you may share the love and transfer your booking to a friend for no charge or, provided we can fill your place, you can hold your payment for up to 12 months for a future course.
Please note: when paying by deposit online the balance is automatically deducted from the same credit card three weeks before the course start date through our booking agency We Teach Me.
These apply to all Slow Clay Centre classes.
- Deposit or full payment (depending on the course) must be made at time of booking.
- Please choose your classes carefully. Due to our limited class sizes once you've booked and paid either the deposit or the full fee we will only refund what you have paid if the class is cancelled by us. If you are unable to attend you may transfer your booking to a friend for no charge or, provided we can fill your place, you can hold your payment for up to 12 months for a future course. Please note: when paying by deposit online the balance is automatically deducted from the same credit card three weeks before the course start date through our booking agency We Teach Me. If we can't fill your place you will forfeit your payment.
- Please note that making ceramics on the wheel can be a physically demanding activity and it is usual to feel a little stiff ititially. However, if you have any pre-existing or chronic injuries to your back, shoulders, hips, neck, wrists or elbows we strongly advise you to seek a medical opinion before enrolling as some activities might exacerbate past injuries and we take no responsibility if this occurs. We ask you to fully disclose any prior and/or ongoing injuries that could affect you and your enrolment is acceptance that Slow Clay Centre and/or the company's employees, whether casual, contract, or permanently employed, are not responsible for any exacerbation of past or new injuries.
- All work made during classes is to be used for personal, non-commercial purposes. This is negotiable for advanced students or for studio exhibitions but we ask students to accept that the emphasis of our classes is strictly on education not studio production.
- Teaching fees are fully inclusive of materials but students incur a firing fee based on a current cost of $9.50 per kg weight after gloss firing.
- Collection of fired pieces: Please understand that our storage is extremely limited. Students will be notified via email when work is ready to be collected. Work will only be retained for one month following this notification unless other arrangements are made.
Weekly classes: These additional conditions apply to all Slow Clay Centre weekly classes.
- All students have priority to re-enrol half way through one term for the following term.
- One missed lesson per term can be made up in any Studio Access Time (SAT) within the term you have booked.
- SATs are available to enrolled weekly students during term times, except those attending Porcelain classes. We offer Monday and Tuesday 12 - 3pm, and Friday and Saturdays 10am-1pm. Cost: $30 for up to three hours, unlimited clay. We reserve the right to cancel any sessions, without notice, that may conflict with other events, although we always try to post on our Facebook page 24 hours prior. Please check www.facebook/slowclay to avoid disappointment.
- Loyalty offer: Continuing students receive two SAT sessions per term FREE (worth $60 plus clay). Only available for enrolled students continuing from one term to another without a break and must be used within the term they are enrolled.
- Wheel classes: Students are allocated a 1200x200mm board for storage and must contain their work to that board for wet work in progress. Once pieces are dry it frees up more space on the board for new work.
- Students must name and code every piece before firing.
Regarding kids Clay Club: These apply to all Slow Clay Centre kids Clay Club classes.
- It is your responsibility to clearly report in writing on the enrolment form, any illness or disability that may affect your child's involvement in the Clay Club activities.
- Please sign your children into each class and sign again on pick up.
- Please respect our teachers and be prompt to arrive and collect your children. Do not arrive more than 5 minutes early to class or leave your children more than 5 minutes later than the class end.
- Children are expected to be mature enough to work in a group together respecting everyone's needs and to be polite.